Hollis Taggart will open its door to artist Suchitra Matta’s first solo exhibition, Herself as Another. Mattai’s multidisciplinary practice explores, unravels, and re-imagines commonly understood and entrenched histories and cultural perceptions. With her newest work, Mattai brings her incisive critique to an examination of the way society “others” populations that it deems different, placing particular focus on the experiences of immigrants and those dealing with mental illness. Through more than a dozen mix-media paintings, fiber sculptures, and installations, Mattai grapples with the fears and mythologies that drive people to ostracize and the impacts those actions have on the “other.” Herself as Another follows Mattai’s breakout New York presentation in Hollis Taggart’s two-person show, History Reclaimed in 2020, and the artist formally joining the gallery in January 2021. The exhibition will remain on view through March 12, 2022, at the gallery’s primary location in Chelsea at 521 W. 26th Street.
In celebration of Black History Month, NYC Parks is pleased to announce the exhibition, “The NYC Parks Renaming Project: Celebrating Black Leaders,” now on view at the Arsenal Gallery in Central Park. The show highlights some of the parks and park features that the agency has recently renamed to honor the Black experience in New York City. This exhibition is presented by NYC Parks’ Art & Antiquities and Ebony Society and will be on view through February 28, 2022.
David Zwirner is pleased to announce a group exhibition curated by the Pulitzer Prize–winning author, critic, and curator Hilton Als. On view at the gallery’s West 19th Street spaces, the exhibition will focus on the enormous output and cultural significance of Toni Morrison (1931–2019), and, as Als notes, “will add visual components that italicize the beauty and audacity of her work.” Included will be selected archival materials as well as work by artists Garrett Bradley, Beverly Buchanan, Robert Gober, Gwen Knight, Kerry James Marshall, Julie Mehretu, Irving Penn, Walter Price, Martin Puryear, Amy Sillman, Bob Thompson, and James Van Der Zee, among others, some of which have been commissioned for the exhibition and were made in direct response to Morrison’s writings.
The Schinasi Mansion, located at 351 Riverside Drive, is the last remaining detached single-family home in Manhattan used as a residence. Built in 1907, the 12,000 square-foot, neo-French-Renaissance style structure was designed by William Tuthill – the architect who designed Carnegie Hall. It was commissioned by the Turkish tobacco baron, Morris Schinasi. Schinasi, who lived there until his death in 1928.
Being a lifeguard is a rewarding and challenging job that requires split-second decision making and develops valuable skills that can last a lifetime. NYC Parks is looking for New Yorkers who have the physical and the mental discipline to become part of our team for Summer 2022. Qualifying tests begin January 31, through February 19; sign up online today to take a qualifying test!
If you’re looking to find out if we will have an extended winter or early spring, head to Tribeca and celebrate this year’s findings with Friends of Duane Park. This annual event will take place on Wednesday, February 2nd from 4-6pm.
Till Human Voices Wake Us, And We Drown, a solo exhibition of work by Palestinian-American interdisciplinary artist Kris Rumman, will be on view at UrbanGlass from January 19 – April 8, 2022. Curated by Zeljka Himbele, the exhibition inaugurates UrbanGlass’ Curator-at-Large program, which will give an invited curator the opportunity to develop innovative concepts and public programs for 4 annual exhibitions presented in UrbanGlass’ Robert Lehman Gallery. The program’s goal is to address critical cultural issues and to contribute to the contemporary art and design dialogue through the material of glass.
What do you think would happen if you dropped a self-described media artist/creative technologist into a free and open environment to consider technology as a canvas. Meet Barak Chamo – current Artist-in-Residence at Materials for the Arts. In his new exhibition, Everything and Nothing at All, presented by Materials for the Arts at ChaShama 14th Street, the artist attempts to embody the challenges of living in an invisibly despotic digital age.
Marinaro will inaugurate its new Gallery One space at 678 Broadway with a solo exhibition by Missoula-based artist Kathleen Herlihy-Paoli. This body of work continues Herlihy-Paoli’s ongoing series exploring environmental, social, and political issues that permeate contemporary society. The artist is known for her frequent use of curtains and the theater set in her paintings, incorporating them as a vehicle to place her subjects center stage both physically and metaphorically.
Surrealist sculptor Hugh Hayden subverts the classroom in a new commission for Madison Square Park entitled ‘Brier Patch‘. The installation will span across four separate lawns and feature a total of one-hundred wooden elementary school-style desks.
Brooklyn Public Library (BPL) and The Lenape Center announced today Lenapehoking, the first-ever Lenape-curated exhibition in New York featuring masterworks by Lenape artists past and present. The new exhibition, opening January 20 and on view through April 30 at Greenpoint Library and Environmental Education Center, includes never-before-seen beaded bandolier bags from the 1800s, a newly created turkey feather cape, culinary tapestries from a seed rematriation project in the Hudson Valley, and more.
As New Yorkers start the New Year, NYC Parks’ GreenThumb is taking a look back at another successful community gardening season with a review of 2021. Over the past year, GreenThumb added three new gardens to its portfolio and completed significant upgrades and renovations at 24 community gardens across four boroughs, which included 10 projects installing ADA pathways, increasing accessibility by 1,000 linear feet; and eight renovations in partnership with NYCHA. The three new gardens include Sweetgum Garden in the Highbridge section of the Bronx; and two soon to be named gardens in Bushwick, Brooklyn, and Ridgewood, Queens.
Street photography—the thoroughly unpredictable and often magical framing of a moment—was embraced early in the 20th century by women photographers. A new exhibition at Howard Greenberg Gallery will survey more than seven decades of work by 12 women photographers. A Female Gaze will be on view from January 19 through April 2, 2022 in the gallery’s new space on the 8th floor of the Fuller Building at 41 East 57th Street.
From February 17 to June 5, 2022, the New Museum will present the first full retrospective in New York of the art of Faith Ringgold (b. 1930, New York, NY). Bringing together over sixty years of work, “Faith Ringgold: American People”provides the most comprehensive assessment to date of Ringgold’s impactful vision. Her role as an artist, author, educator, and organizer has made her a key figure whose work links the multi-disciplinary achievements of the Harlem Renaissance to the political art of young Black artists working today. During the 1960s, Ringgold created some of the most indelible art of the Civil Rights era by melding her own unique style of figurative painting with a bold, transformative approach to the language of protest. In subsequent decades, she challenged accepted hierarchies of art and craft through her experimental quilt paintings and undertook a deeply studied reimagining of art history to produce narratives that bear witness to the historical sacrifices and achievements of Black Americans.
Paper Unbound: The Drawn Menagerie, an exhibition of more than three centuries of works on paper featuring animals, will be on view at Christopher Bishop Fine Art in New York City from January 21 – February 19, 2022. The show will be presented as part of Master Drawings New York, which runs from January 21 – 29, 2022.
As we look forward to Chris ‘Daze’ Ellis’ solo exhibition #GiveItAllYouGotat P·P·O·W Gallery, we thought it a good time to reach back into our archives and take a second look at the Chris ‘Daze’ Ellis solo exhibition, The City is My Muse at the Museum of the City of New York in 2015.
P·P·O·W Gallery will open its doors to Chris ‘Daze’ Ellis’s second solo exhibition with the gallery entitled ‘Give It All You Got’. Born in 1962 in New York City, Daze began his career as part of the second of graffiti writers, painting New York City subway cars in 1976 while attending The High School of Art and Design.
Founded in 1904, the New Amsterdam Musical Association (NAMA) is the oldest African-American musical organization in the country. It was founded at a time when the musicians union didn’t admit minority musicians, and the law stated that one had to be in the union in order to perform in New York City!
The Garment District Alliance has unveiled Passage, an interactive art installation comprised of 20 circles of light that form a pedestrian tunnel on Broadway. As visitors walk through the exhibition, each circle emits light and sounds, creating a transformative, playful experience in the heart of Midtown Manhattan. Located on Broadway in the Garment District between 39th and 40th Streets,Passage is free and will be available to the public through February 13th.
Fremin Gallery will open its doors to KAAIEN, the first New York exhibition for Belgium artist Didier Engels. After a career of more than 30 years in the research of textures (20 years as textile stylist and 10 years as interior design architect), Didier Engels has shifted toward photography. As a self-taught Belgian photographer, he started his photographic work ‘Dry Dock’ and ‘Kaaien’ in January, 2015.
Ki Smith Gallery is pleased to present Half Life, the gallery’s first exhibition across both spaces with multimedia artist Kiyomi Quinn Taylor. With a staunch belief in both a life after death and the presence of the deceased in our lived realities, Taylor presents her audience with a world that is both fantastical and autobiographical; one built on memory, a rich family history, dreams, and fables.
The Museum of Arts and Design (MAD) will present Garmenting: Costume as Contemporary Art, the first global survey exhibition dedicated to the use of clothing as a medium of visual art. On view March 12 to August 14, 2022, the exhibition examines work by thirty-five international contemporary artists, from established names to emerging voices, several of whom will be exhibiting for the first time in the United States. By either making or altering clothing for expressive purposes, these artists create garments, sculpture, installation, and performance art that transforms dress into a critical tool for exploring issues of subjectivity, identity, and difference.
JoAnne Artman Gallery is pleased to present, The Back Room: Winter Solstice, a group exhibition that celebrates the seduction and drama of entering a gallery’s private, back room. An exploration into past and upcoming shows, the works in The Back Room celebrates the art world’s unique ritual of inviting preferred patrons to view the gallery’s exclusive inventory. Including works by America Martin, Brooke Shaden, Carla Talopp, Jada + Jon, Jenna Krypell, and Swan Scalabre, all artists hold distinctive sensibilities in subject matter and concept, yet are linked through an expressive formal approach.
The Art Students League’s Exhibition Outreach program presents its first student exhibition of 2022, in partnership with ChaShaMa and featuring 25 artists exploring themes of mystery, magic, and light. Titled Searchlight, the exhibition is organized by guest Curator Samuel Rowlett, a League alumnus, and is on view at One Brooklyn Bridge Park January 6–March 10, 2022. The exhibition plays in a range of shadowed depths and colorful surfaces, taking viewers from the small, quiet space of a computer screen to the vast landscape of an entire world. A glowing thread weaves its way through each work on view; it runs through a cloud-covered sun in winter and chases a pair of friends ambling through a forest. Light, and the ways in which it can be filtered and interpreted, appears before us in steel thorns, in driftwood textured with beeswax, and in rich abstractions. What is this guiding light in search of? Where will it take us?
The New York Studio School presents Likkle Tings, an exhibition curated by Curtis Talwst Santiago, on view December 9, 2021 – January 23, 2022. Likkle Tings looks at contemporary artists engaged with small-scale works as a major and serious aspect of their practice. The exhibition title is derived from the Caribbean slang for Little Things. Including works by Lyndon J Barrois, Sr, Emma Bonnemaison, Susan Cianciolo, Christina Kenton, Maria Koubourli, Christian Quin Newell, Jill Orlov, Patrice Robinson, Anthony Santiago, Curtis Talwst Santiago and Alexander Richard Wilson.
Closing the door on 2021, New Yorkers will step into 2022 grateful to be living in the City that never sleeps ~ a city that never stops creating, educating and inspiring. Here are a few suggestions to brighten your days in January, 2022.
Yimby gave a glimpse into the future of the empty lot located on the corner of Park Avenue and 116th Street, announcing that permits have been filed for a ten-story mixed-use building with affordable housing at 1638 Park Avenue. The lot is one block west of the 116 Street subway station, serviced by the 6 train. Bernard McNamee, Managing Director of Affect Property Group is listed as the owner behind the applications. Marin Architects is listed as the architect of record.
The 45th Annual Three Kings Day will be celebrated virtually, with some in-person programs in El Barrio this year, with the fitting theme: Samos el Cambio: Protecting the Environment for Future Generations, honoring the work of those who call on us to sustainably steward our environment, and help foster cultural transformation through community empowerment and artistic expression. The Event also takes into consideration the health and safety of the community by celebrating on-line, and presenting a series of activities spread out over several weeks.
As temperatures continue to drop, NYC Parks urges parkgoers to exercise caution while near lakes, ponds, and rivers in New York City’s parks this winter. New Yorkers are reminded to follow ice safety guidelines and to stay off water bodies that appear frozen – they are likely not, and venturing onto them is extremely dangerous.
Atlantic Gallery will open its doors to Brooklyn-based artist, Susan Rostow with her exhibition Sense of Place. Susan Rostow’s sculptures resemble archeological artifacts with biomorphic traits, prompting us to probe into their origin and meaning. Peppered throughout the gallery space, the visceral and mysterious smaller scale sculptures titled Naiads, allude to the nymphs from Greek mythology who protect and reside over rivers and marshes. In the background along the walls these hybrid creatures form a comical procession. Going about their business, each projects a distinct gesture–a bulbous loner in orange hues by a tall pale figure with a protruding belly, a pair pausing to engage in a vivid conversation or perhaps an argument. In the front, duos or extended groups of mixed-scale sculptures hint at Rostow’s background as a prolific book artist. Here the sculptures reference spliced or carved book spines in myriad playful ways. They metamorphize into volumes of organic forms resembling abstracted human figures, imaginary animals, or both–all painted with rich colors ranging from earth tones to reds and vibrant yellows to algae greens—evoking natural matter.
Curated by Legacy Russell, Executive Director & Chief Curator of The Kitchen, ‘The New Bend’ brings together 12 contemporary artists working in the raced, classed, and gendered traditions of quilting and textile practice – Anthony Akinbola, Eddie R. Aparicio, Dawn Williams Boyd, Diedrick Brackens, Tuesday Smillie, Tomashi Jackson, Genesis Jerez, Basil Kinkaid, Eric Mack, Sojourner Truth Parsons, Qualeasha Wood, and Zadie Xa. Their unique visual vernacular exists in tender dialogue with, and in homage to, the contributions of the Gee’s Bend Alabama quilters – Black American women in collective cooperation and creative economic production – and their enduring legacy as a radical meeting place, a prompt, and as intergenerational inspiration. This exhibition acknowledges the work of Gee’s Bend quilters such as Sarah Benning (b. 1933), Missouri Pettway (1902-1981), Lizzie Major (1922-2011), Sally Bennett Jones (1944-1988), Mary Lee Bendolph (b.1935), and so many more, as central to expanded histories of abstraction and modernism.
Fridman Gallery and Rachel Uffner Gallery are honored to announce A Hair Salon in Addis Ababa, a solo exhibition by Ethiopian painter Hana Yilma Godine spanning the two galleries.
Each gallery will present Godine’s new paintings portraying female protagonists in domestic and public spaces of their own making, drawing on everyday scenes of her home town of Addis Ababa: preparing for wedding celebrations, interacting in hair salons, resting in their living rooms. In a patriarchal society torn apart by a brutal civil war, Godine presents a parallel dimension where women are safe from violence and free to express themselves independently of social restrictions.
The dates for the exhibition Jean-Michel Basquiat: King Pleasure have been announced. Featuring over 200 never before and rarely seen paintings, drawing, ephemera and artifacts, this celebration of Basquiat’s life will open on April 9, 2022 at the NYC Landmark Starrett-Lehigh Building.
Proclamations are historically issued in recognition of the importance of significant achievement within a community. So we were not surprised to learn that, before leaving office, Manhattan Borough President Gale Brewer would bestow a Proclamation of Achievement on artist Jorge Luis Rodriguez.
Update ~ Unfortunately due to COVID, this Event has been cancelled.
We were more than excited to hear that on January 14, 2022 at 8:00 PM, one of the leading ensembles in jazz, the GRAMMY Award-nominated Bill Charlap Trio, will perform at Flushing Town Hall.
Featuring GRAMMY-winning pianist Bill Charlap, bassist Peter Washington, and drummer Kenny Washington, the Bill Charlap Trio was formed nearly 25 years ago in 1997 and earned GRAMMY nominations for Uptown Downtown (Impulse!/Verve), Somewhere: The Songs of Leonard Bernstein, and The Bill Charlap Trio: Live at the Village Vanguard (both on the Blue Note label).
The New York Port Authority exhibition space can be a delightful surprise. Currently on view we spotted the work of needle artist Kevin Lustik and his exhibit In Stitches, filling the two large glass cases that makeup the exhibition space.
The holidays are fast approaching, and so too is NYC Parks’ annual Mulchfest tree chipping celebration! Beginning December 26, 2021, New Yorkers can “tree”-cycle their holiday trees at local parks, with convenient drop-off sites in all five boroughs.
This year, Parks will be hosting one Chipping Weekend, where New Yorkers can actively mulch their holiday trees – January 8 & 9. At any one of Parks’ 35 Chipping Weekend locations, residents can watch their tree get chipped, and those who would like nutrient-rich mulch can take some home with them!
Jazz at Lincoln Center’s Dizzy’s Club continues its season of in-person performances in January and February 2022, presenting a diverse lineup that pays tribute to jazz greats, showcases rising stars on the scene, and welcomes award-winning artists whose work runs the gamut of jazz styles and traditions.
The year begins with the return of Dizzy’s Club mainstays like pianistsEmmet Cohen and Cyrus Chestnut, as well as celebrations honoring the legacy of late jazz luminaries Ralph Peterson, Frank Wess,and Chick Corea. Powerhouse vocalists Vuyo Sotashe, Brianna Thomas, and Shenel Johns join forces for an evening of iconic early jazz and blues songs under the music direction of Riley Mulherkar, and Charles Turner invites audiences to put their dancing shoes on with his band Uptown Swing. In a feature double-billed program, genre-bending songwriter and keyboard player BIGYUKIperforms back-to-back with hard-swinging bassist Yasushi Nakamura. January at Dizzy’s also features a diverse range of artists performing works from recent albums that have won critical acclaim from TheNew York Times, DownBeat, Jazziz, NPR, and others, including a breakout debut album by young virtuoso Micah Thomas, a collection of favorite tunes by pianist and vocalist Diane Schuur, and the debut collaboration between up-and-coming vocalists Vanisha Gould and Lucy Yeghiazaryan.
Pantone, the global color authority and provider of professional color language standards and digital solutions for the design community, on Thursday, December 9, 2021, introduced a new blue shade, PANTONE 17-3938 Very Peri, a dynamic periwinkle blue hue with a vivifying violet red undertone as the Pantone Color of the Year selection for 2022. Blending the faithfulness and constancy of blue with the energy and excitement of red, this happiest and warmest of all the blue hues introduces an empowering mix of newness.
NYC Parks Commissioner Gabrielle Fialkoff announced, in response to increasingly frequent storms like Hurricane Ida, a commitment to expand Parks’ green roofs by 50,000 sqft–bringing the agency’s total to 250,000 sqft–and the creation of a brand new Youth Sustainability Corps (YSC) giving NYC school students hands-on training in green job skills. This marks a major step forward in greening and stormwater management atop City owned buildings and reaffirms Parks’ commitment to a greener future for New York City.
Keith de Lellis Gallery presents a selection of sixteen accomplished mid-century Swedish photographers whose innovative work has remained relatively unfamiliar to the American public. Ten of these individuals were part of TIO (a Swedish word for “ten”), a collective of Swedish photographers established in 1958. From nature and industrial scenes to abstraction and fashion, Swedish Modern captures the broad range of creative styles and interests that were present in the minds of mid-century Swedish artists. What unites the wide variety of subject matter between the photographers in this exhibition is their shared attitude of inquiry into the possibilities of what the camera is capable of.
The Apollo announced details of its Winter/Spring 2022 season, with an array of free and ticketed programming in-person at the Apollo’s historic theater and online on the Apollo’s Digital Stage. Highlights include the long-anticipated return of the Amateur Night at the Apollocompetition on Wednesday, February 16 at 7:30pm EST; Apollo Master Artist-in-Residence Ta-Nehisi Coates and The Roots’ Tariq “Black Thought” Trotter, in conversation; the Lyricist Lounge 30th Anniversary Concert featuring hip-hop trailblazers to be announced; the premiere of The Gathering: A Collective Ring Shout, co-presented by the American Composers Orchestra and the Apollo and co-curated by National Black Theatre; the return of Africa Now! featuring East African jazz vocalist and Grammy nominee Somi; and more. The non-profit Apollo’s season centers Black artists and voices from the African Diaspora with myriad opportunities for artists and audiences to come back together at the iconic theater.
Beginning November 25, 2021 until January 30 of 2022, Salmagundi presents Bil Baird and Olga Felgemacher: A Narrative Legacy, offering a peek behind the curtain of one of America’s most important circles of puppeteers headed by Bil Baird, and their wide-ranging influence on American culture, film, and TV. The exhibition is heightened with the addition of the work of living puppet master Olga Felgemacher, Baird’s longtime collaborator. Felgemacher shares her insights on Baird, as well as her own original characters and artistry.